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American Art Association, New York, Illustrated catalogue of the important and interesting collection of beautiful pottery vases of Eastern origin: dating from the sixth century B.C.

Baur, "The Armour Kelebe," Bulletin of the Associates in Fine Arts at Yale University 7 (1936): 10–11. (New Haven, Conn.: Yale University Art Gallery, 1975), 61–63, no. Matheson and Jerome Jordan Pollitt, Greek Vases at Yale, 1st ed., exh.

Beazley Addenda: Additional References to ABV, ARV2 and Paralipomena, 2nd (Oxford: Oxford University Press, 1989), 262.

Thomas Mannack, The Late Mannerists in Athenian Vase Painting (Oxford: Oxford University Press, 2001), 17–19.

Matheson, Corpus Vasorum Antiquorum, Yale University Art Gallery I (Mainz, Germany: Verlag Philipp von Zabern, 2011), 9–10, no.

"Antiquities at the Hood," Hood Museum of Art Quarterly 31 (Spring/Summer 2011): 2, ill.Text from: Essi Ronkko and Hood Museum of Art, "Hood Museum," (accessed June 2011-July 2021). Therefore, he was given wine and escorted to Olympos by Dionysos, the god of wine, accompanied by his male and female followers, the satyrs and maenads. In revenge, Hephaistos fashioned a throne that held Hera fast when she sat on it. Because he was born lame, his mother cast him out of Olympos. Hephaistos, the divine smith, was the son of Hera and Zeus.

The subject, which encompasses both sides of the vase, is the return of Hephaistos to Mount Olympos, the home of the gods. (On red-figure vases, the symposium itself was often depicted.) This krater is of exceptional significance because it is one of the first on which wine, women, and song are presented, albeit in a mythological guise. In black-figure vase-painting before the last quarter of the sixth century B.C., the decoration of large, elaborate kraters tended to be mythological. An essential piece of equipment for the symposium was the vase in which the wine was diluted with water and from which it was served. Even more worthy of emphasis, however, is the importance of the symposium as an institution that permitted citizens to gather, to transact business, and-as Plato's dialogue makes clear-to engage in serious discussion. For over a century, representations on vases document that wine, women, and song were central ingredients. The symposium, conventionally interpreted as a drinking party, was a well-established feature of Greek-particularly Athenian- society. Reverse, Dionysos among satyrs and maenads Obverse, Hephaistos on mule among satyrs and maenads Terracotta column-krater (bowl for mixing wine and water)ĭimensions: Overall: 22 3/16 x 27 1/4 in.